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My Space Odyssey™, Part 2

The Centurys Not since Kubrick's own Lolita and Dr. Strangelove had a major motion picture been so controversial and received such diverse reactions. Many of the film’s loudest critics seemed to be completely missing the point. During a 1968 interview with Playboy Magazine, Kubrick seemed to both echo and invert the communication theories of Marshall McLuhan, stating that, "In 2001 the message is the medium. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with its emotional and philosophical content."

Besides creating a new paradigm for telling stories and making movies, Kubrick had offered the world a new way of watching and understanding cinema. 2001 was over two hours in length, a 139-minute psychedelic trip that used long scenes with no dialogue to speak to audiences in a unique language of imagery and motion. Like a Van Gogh painting, 2001 left itself open to interpretation, compelling viewers to wonder about the artist’s intentions and ultimately arrive at their own conclusions.

2001’s ambiguity was consistent with the experimentation, social upheaval, and spiritual seeking of the late ‘60’s and early ‘70’s. The film seemed to perfectly complement the era’s various counter-cultural movements.


Dennis Gonzales The explosion of visual and auditory stimuli used to depict the movie’s climax came to be regarded as one of the most memorable sequences in motion picture history. As the central astronaut character traversed a portal into a new universe, viewers were treated to a seemingly LSD-inspired light show, the kind more commonly associated with Janis Joplin and Jimi Hendrix than with anything a major Hollywood studio might produce. At the end of the hero’s journey, he appears to have been transformed into some new sort of being, a "Star Child" that is embryonic in appearance, and yet powerful enough to float in the vacuum of space with no protective gear. This wide-eyed creature gazes out at the audience with a look that implies both childlike wonder and a serene state of enlightenment.

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